K\u00fcrt toplumsal yap\u0131s\u0131nda sa\u00e7, sadece ki\u015fisel bak\u0131m veya estetik bir unsur de\u011fil, ayn\u0131 zamanda kimliksel ve k\u00fclt\u00fcrel bir g\u00f6stergedir. \u00d6zellikle 20. y\u00fczy\u0131l\u0131n ortalar\u0131na kadar K\u00fcrt gen\u00e7leri aras\u0131nda yayg\u0131n olan belirli sa\u00e7 t\u0131ra\u015f\u0131 bi\u00e7imleri, erkeklik, olgunluk ve toplumsal aidiyetin d\u0131\u015fa vurumuydu. \u201cTem\u00fbr\u00ee\u201d, \u201cBij\u00ee\u201d, \u201cGulal\u00ee\u201d ya da \u201cCuncik\u201d olarak adland\u0131r\u0131lan bu sa\u00e7 tarzlar\u0131, ba\u015f\u0131n yan ve arka k\u0131s\u0131mlar\u0131n\u0131n kaz\u0131t\u0131ld\u0131\u011f\u0131, aln\u0131n \u00fcst taraf\u0131nda ise sa\u00e7\u0131n uzat\u0131larak \u015fekillendirildi\u011fi belirgin bir modeldi. Bu tarz, ta\u015f\u0131y\u0131c\u0131s\u0131na hem estetik bir farkl\u0131l\u0131k hem de toplumsal bir duru\u015f kazand\u0131rmaktayd\u0131.<\/p>\n
Bu t\u0131ra\u015f \u015fekli, bireyin ya\u015fad\u0131\u011f\u0131 topluluk i\u00e7erisinde cesaret, \u00f6zg\u00fcven ve erkeklik gibi de\u011ferlerle \u00f6zde\u015fle\u015ftirilirdi. \u00d6zellikle da\u011fl\u0131k ve yar\u0131-g\u00f6\u00e7ebe K\u00fcrt topluluklar\u0131nda bu tarz, gen\u00e7li\u011fe ge\u00e7i\u015fin ve sosyal kabul\u00fcn bir g\u00f6stergesi olarak kabul g\u00f6rmekteydi. G\u00f6rsel bir unsur olan sa\u00e7 \u00fczerinden kurulan bu sembolizm, toplulu\u011fun erkek bireylerinden beklentilerini ve estetik normlar\u0131n\u0131 da ortaya koyar nitelikteydi.<\/p>\n
\u00cazid\u00ee K\u00fcrt topluluklar\u0131nda ise bu model, ensede b\u0131rak\u0131lan uzun sa\u00e7\u0131n \u00f6r\u00fclmesiyle farkl\u0131la\u015fmaktayd\u0131. Sa\u00e7 \u00f6rg\u00fcs\u00fc, \u00cazid\u00ee gelene\u011finde hem dini bir rit\u00fcelin hem de mezhepsel aidiyetin i\u015faretiydi. Bu varyasyon, etnik ve mezhepsel farkl\u0131l\u0131klar\u0131n beden \u00fczerinden nas\u0131l temsil edildi\u011fini g\u00f6stermesi bak\u0131m\u0131ndan dikkat \u00e7ekicidir.<\/p>\n
K\u00fcrt gen\u00e7lerinin s\u00f6z konusu sa\u00e7 tarz\u0131, zamanla modernle\u015fme ve kentle\u015fmenin etkisiyle geri plana itilmi\u015f olsa da, g\u00fcn\u00fcm\u00fcz moda anlay\u0131\u015f\u0131nda benzer \u00f6rneklerin farkl\u0131 adlarla yeniden kar\u015f\u0131m\u0131za \u00e7\u0131kt\u0131\u011f\u0131 g\u00f6r\u00fclmektedir. Aln\u0131n \u00fcst k\u0131sm\u0131nda uzun b\u0131rak\u0131lan, yanlar\u0131 kaz\u0131t\u0131lm\u0131\u015f sa\u00e7 modelleri bug\u00fcn \u201cfade\u201d, \u201cundercut\u201d gibi isimlerle an\u0131lsa da, bu bi\u00e7imlerin geleneksel \u00f6rneklerle olan benzerli\u011fi dikkat \u00e7ekicidir. Bu durum, k\u00fclt\u00fcrel haf\u0131zan\u0131n fark\u0131nda olunmadan bile g\u00fcncel estetik pratiklere yans\u0131d\u0131\u011f\u0131n\u0131 g\u00f6sterir.<\/p>\n
Antropolojik olarak bak\u0131ld\u0131\u011f\u0131nda, sa\u00e7 modelleri bir\u00e7ok toplumda sosyal rollerin, ge\u00e7i\u015f rit\u00fcellerinin ve aidiyet bi\u00e7imlerinin ifadesi olmu\u015ftur. Japon samuraylar\u0131nda g\u00f6r\u00fclen chonmage sa\u00e7 bi\u00e7imi, sadece sava\u015f\u00e7\u0131l\u0131\u011f\u0131n de\u011fil ayn\u0131 zamanda toplumsal konumun da sembol\u00fcyd\u00fc. Benzer \u015fekilde Afrika\u2019n\u0131n baz\u0131 etnik topluluklar\u0131nda sa\u00e7 \u00f6rme, boyama ya da kaz\u0131ma pratikleri, ki\u015finin ya\u015f\u0131, sosyal stat\u00fcs\u00fc ya da t\u00f6rensel ge\u00e7i\u015f d\u00f6nemleriyle ili\u015fkilendirilmi\u015ftir. K\u00fcrtlerin geleneksel sa\u00e7 t\u0131ra\u015f\u0131 da bu \u00e7er\u00e7evede d\u00fc\u015f\u00fcn\u00fcld\u00fc\u011f\u00fcnde, k\u00fclt\u00fcrel ve tarihsel bir simge olarak de\u011fer kazan\u0131r.<\/p>\n
G\u00f6rsel k\u00fclt\u00fcr\u00fcn, birey \u00fczerinden topluluk aidiyetini yans\u0131tma bi\u00e7imlerinden biri olan sa\u00e7, K\u00fcrt gen\u00e7lerinin kendi aralar\u0131ndaki g\u00f6r\u00fcn\u00fcrl\u00fck rekabetinde ve etnik aidiyetin g\u00fc\u00e7lendirilmesinde \u00f6nemli bir rol oynam\u0131\u015ft\u0131r. Bug\u00fcn bu tarzlar bireysel birer se\u00e7im olarak g\u00f6r\u00fclse de, k\u00f6kenlerinde kolektif haf\u0131zay\u0131 ve k\u00fclt\u00fcrel s\u00fcreklili\u011fi bar\u0131nd\u0131rmaktad\u0131r.<\/p>\n
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Kaynak\u00e7a<\/p>\n
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Kreyenbroek, P. G. (1995). Yezidilik \u2013 Arka Plan\u0131, Uygulamalar\u0131 ve Metinsel Gelene\u011fi. Brill Yay\u0131nlar\u0131.<\/p>\n
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Goffman, E. (1959). G\u00fcndelik Hayatta Benli\u011fin Sunumu. Ankara: Heretik Yay\u0131nc\u0131l\u0131k.<\/p>\n
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Leach, E. (1958). B\u00fcy\u00fcl\u00fc Sa\u00e7. Kraliyet Antropoloji Enstit\u00fcs\u00fc Dergisi, 88(2), 147\u2013164.<\/p>\n
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Hannerz, U. (1992). K\u00fclt\u00fcrel Karma\u015f\u0131kl\u0131k: Anlam\u0131n Sosyal Organizasyonu \u00dczerine \u00c7al\u0131\u015fmalar. \u0130stanbul: Metis Yay\u0131nlar\u0131.<\/p>\n
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Turner, V. (1967). Sembollerin Orman\u0131: Ndembu Rit\u00fcellerinin Baz\u0131 Y\u00f6nleri. \u0130stanbul: Ayr\u0131nt\u0131 Yay\u0131nlar\u0131.<\/p>\n
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Deloria, V. (2006). Eskiden Ya\u015fad\u0131\u011f\u0131m\u0131z D\u00fcnya. Fulcrum Publishing.<\/p>\n
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Gilroy, P. (1993). Siyah Atlantik: Modernite ve \u00c7ifte Bilin\u00e7. \u0130stanbul: \u0130leti\u015fim Yay\u0131nlar\u0131.<\/p>\n","protected":false},"excerpt":{"rendered":"
K\u00fcrt toplumsal yap\u0131s\u0131nda sa\u00e7, sadece ki\u015fisel bak\u0131m veya estetik bir unsur de\u011fil, ayn\u0131 zamanda kimliksel ve k\u00fclt\u00fcrel bir g\u00f6stergedir. \u00d6zellikle 20. y\u00fczy\u0131l\u0131n ortalar\u0131na kadar K\u00fcrt gen\u00e7leri aras\u0131nda yayg\u0131n olan belirli sa\u00e7 t\u0131ra\u015f\u0131 bi\u00e7imleri, erkeklik, olgunluk ve toplumsal aidiyetin d\u0131\u015fa vurumuydu. \u201cTem\u00fbr\u00ee\u201d, \u201cBij\u00ee\u201d, \u201cGulal\u00ee\u201d ya da \u201cCuncik\u201d olarak adland\u0131r\u0131lan bu sa\u00e7 tarzlar\u0131, ba\u015f\u0131n yan ve arka […]<\/p>\n","protected":false},"author":2,"featured_media":1033799,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[31],"class_list":["post-1033798","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurdistan","tag-onemli"],"blocksy_meta":[],"seo_head":"\n