Giwar Hajabi, sahne ad\u0131yla Xatar, yaln\u0131zca Almanya\u2019da y\u00fckselen bir rap sanat\u00e7\u0131s\u0131 de\u011fil; ayn\u0131 zamanda diasporada K\u00fcrt kimli\u011finin ta\u015f\u0131y\u0131c\u0131s\u0131 ve k\u00fclt\u00fcrel direni\u015fin \u00f6nemli bir temsilcisidir. Onun ya\u015fam \u00f6yk\u00fcs\u00fc, 20. y\u00fczy\u0131l\u0131n son \u00e7eyre\u011finde Ortado\u011fu\u2019da s\u00fcregelen devlet \u015fiddeti, etnik bast\u0131rma politikalar\u0131 ve g\u00f6\u00e7menli\u011fin \u00e7ok katmanl\u0131 travmalar\u0131yla \u015fekillenmi\u015ftir. Xatar\u2019\u0131n hayat\u0131n\u0131 anlamak, yaln\u0131zca bireysel bir sanat\u00e7\u0131n\u0131n y\u00fckseli\u015fini de\u011fil; ayn\u0131 zamanda K\u00fcrt halk\u0131n\u0131n s\u00fcrg\u00fcn, direni\u015f ve yeniden in\u015fa tarihine dair bir anlat\u0131y\u0131 da \u00e7\u00f6z\u00fcmlemek anlam\u0131na gelir.<\/p>\n
1980\u2019lerin sonunda \u0130ran\u2019\u0131n K\u00fcrdistan eyaletine ba\u011fl\u0131 Sine (Sanandaj) kentinde d\u00fcnyaya gelen Xatar, K\u00fcrt kimli\u011finin a\u011f\u0131r bask\u0131lar alt\u0131nda ya\u015fand\u0131\u011f\u0131 bir politik atmosferde do\u011fdu. \u0130ran\u2019da \u015eah rejiminin y\u0131k\u0131l\u0131\u015f\u0131n\u0131n ard\u0131ndan kurulan \u0130slam Cumhuriyeti, K\u00fcrtlere y\u00f6nelik siyasi ve k\u00fclt\u00fcrel bask\u0131lar\u0131 art\u0131rm\u0131\u015f; \u00f6zellikle 1979’dan itibaren ba\u015flayan K\u00fcrt ayaklanmalar\u0131, a\u011f\u0131r asker\u00ee m\u00fcdahalelerle bast\u0131r\u0131lm\u0131\u015ft\u0131. Xatar\u2019\u0131n ailesi bu s\u00fcrecin do\u011frudan tan\u0131\u011f\u0131 ve hedefi olmu\u015ftu: Annesi, K\u00fcrt kad\u0131nlar\u0131n\u0131n hem silahl\u0131 hem de sivil direni\u015f saflar\u0131nda aktif yer ald\u0131\u011f\u0131 bir m\u00fccadele hatt\u0131nda konumlanm\u0131\u015ft\u0131; babas\u0131 ise klasik m\u00fczik alan\u0131nda entelekt\u00fcel bir birikime sahip, tan\u0131nm\u0131\u015f bir besteci ve m\u00fczik kuramc\u0131s\u0131yd\u0131. Ailenin hik\u00e2yesi, politik direni\u015f ile k\u00fclt\u00fcrel \u00fcretimin birbirini besledi\u011fi bir \u00f6zg\u00fcrl\u00fck aray\u0131\u015f\u0131n\u0131n ifadesiydi.<\/p>\n
\u0130ran\u2019da ya\u015faman\u0131n imk\u00e2ns\u0131z hale gelmesiyle birlikte aile, Bat\u0131\u2019ya do\u011fru uzun bir m\u00fclteci yolculu\u011funa \u00e7\u0131kt\u0131. Irak\u2019taki m\u00fclteci kamplar\u0131na s\u0131\u011f\u0131nmalar\u0131n\u0131n ard\u0131ndan T\u00fcrkiye \u00fczerinden Almanya\u2019ya ula\u015ft\u0131lar. Ancak Avrupa topraklar\u0131 da kolay bir ya\u015fam sunmad\u0131. K\u00f6ln ve Bonn\u2019un alt s\u0131n\u0131f mahallelerinde, g\u00f6\u00e7menli\u011fin getirdi\u011fi yap\u0131sal d\u0131\u015flanma, \u0131rk\u00e7\u0131l\u0131k ve ekonomik e\u015fitsizlikler Xatar\u2019\u0131n \u00e7ocuklu\u011funu bi\u00e7imlendirdi. Bu deneyimler, onun hem ki\u015fisel hem de sanatsal geli\u015fimini derinden etkileyerek m\u00fczi\u011fi bir hayatta kalma stratejisine d\u00f6n\u00fc\u015ft\u00fcrd\u00fc.<\/p>\n
Xatar\u2019\u0131n sanat\u0131, Almanya hip-hop sahnesinde \u201cimmigrant rap\u201d olarak adland\u0131r\u0131lan ak\u0131m\u0131n i\u00e7inde konumland\u0131. Bu m\u00fczikal damar, yaln\u0131zca sokaklar\u0131n diliyle de\u011fil, ayn\u0131 zamanda g\u00f6\u00e7menlerin kimlik krizleri, toplumsal d\u0131\u015flanm\u0131\u015fl\u0131klar\u0131 ve kolektif travmalar\u0131yla da konu\u015fuyordu. Xatar, bu \u00e7er\u00e7evede K\u00fcrt halk\u0131n\u0131n par\u00e7alanm\u0131\u015f tarihini, bask\u0131 alt\u0131nda tutulmu\u015f kimli\u011fini ve s\u00fcrg\u00fcnl\u00fck deneyimini Almanca s\u00f6zlerle; fakat K\u00fcrt siyasi ve k\u00fclt\u00fcrel belle\u011fine sad\u0131k kalarak aktard\u0131. Onun i\u00e7in \u201cK\u00fcrdistan\u201d, bir co\u011frafi yer isminin \u00f6tesinde, par\u00e7alanm\u0131\u015f belle\u011fin, kay\u0131p yurtsall\u0131\u011f\u0131n ve k\u00fclt\u00fcrel direni\u015fin sembol\u00fcne d\u00f6n\u00fc\u015ft\u00fc.<\/p>\n
Xatar\u2019\u0131n sanat\u0131 yaln\u0131zca bireysel ifade alan\u0131yla s\u0131n\u0131rl\u0131 kalmad\u0131. 2007\u2019de kurdu\u011fu \u201cAlles oder Nix\u201d (Ya Her \u015eey Ya Hi\u00e7bir \u015eey) isimli plak \u015firketiyle k\u00fclt\u00fcrel \u00fcretimi kurumsalla\u015ft\u0131rd\u0131. Bu \u015firket, Almanya\u2019daki d\u0131\u015flanm\u0131\u015f g\u00f6\u00e7men gen\u00e7lere yaln\u0131zca bir ses de\u011fil, ayn\u0131 zamanda bir yol a\u00e7t\u0131. B\u00f6ylece Xatar, k\u00fclt\u00fcrel sermayeyi yaln\u0131zca elde eden de\u011fil, onu d\u00f6n\u00fc\u015ft\u00fcren ve payla\u015fan bir fig\u00fcr haline geldi. Sanat\u0131; kapitalist piyasa i\u00e7inde eriyen bir \u00fcr\u00fcn olmaktan ziyade, direni\u015fin ve haf\u0131zan\u0131n ta\u015f\u0131y\u0131c\u0131s\u0131 olarak varl\u0131k buldu.<\/p>\n
Xatar\u2019\u0131n hayat \u00f6yk\u00fcs\u00fc, Alman sinemas\u0131n\u0131n \u00f6nemli y\u00f6netmenlerinden Fatih Ak\u0131n taraf\u0131ndan beyaz perdeye ta\u015f\u0131nd\u0131\u011f\u0131nda, bireysel bir y\u00fckseli\u015fin \u00e7ok \u00f6tesinde; diasporada kimlik, haf\u0131za ve direni\u015f temalar\u0131n\u0131n temsiline d\u00f6n\u00fc\u015ft\u00fc. Film, annesinin da\u011flardan ta\u015f\u0131d\u0131\u011f\u0131 devrimci ruh ile babas\u0131n\u0131n sanatsal zarafetini Xatar\u2019\u0131n ki\u015fili\u011finde birle\u015ftirerek, K\u00fcrt halk\u0131n\u0131n \u00e7ok y\u00f6nl\u00fc m\u00fccadelesini g\u00f6r\u00fcn\u00fcr k\u0131ld\u0131. Bu anlat\u0131, Avrupa\u2019n\u0131n merkezinde, marjinalize edilmi\u015f bir halk\u0131n onurlu varolu\u015funa dair g\u00fc\u00e7l\u00fc bir k\u00fclt\u00fcrel ifade bi\u00e7imi sundu.<\/p>\n
Hayat\u0131 boyunca bir\u00e7ok zorlukla y\u00fczle\u015fen Xatar, gen\u00e7li\u011finde su\u00e7a s\u00fcr\u00fcklenmi\u015f, cezaevine girmi\u015f; fakat bu ge\u00e7mi\u015fiyle y\u00fczle\u015fip onu a\u015fmay\u0131 ba\u015farm\u0131\u015ft\u0131r. Bu y\u00f6n\u00fcyle, idealize edilmesi tart\u0131\u015fmal\u0131 olsa da, bir\u00e7ok gen\u00e7 K\u00fcrt i\u00e7in \u201cd\u00fc\u015ft\u00fc\u011f\u00fc yerden kalkabilen\u201d bir fig\u00fcr olarak anlam kazanm\u0131\u015ft\u0131r. O, i\u00e7inde b\u00fcy\u00fcd\u00fc\u011f\u00fc karanl\u0131\u011f\u0131 ink\u00e2r etmeden; aksine o karanl\u0131\u011f\u0131n i\u00e7inden ge\u00e7erek, m\u00fczikle, giri\u015fimcilikle ve k\u00fclt\u00fcrel s\u00f6z \u00fcretimiyle kendini yeniden var etmeyi bilmi\u015ftir.<\/p>\n
Xatar\u2019\u0131n ani \u00f6l\u00fcm\u00fc, yaln\u0131zca bir sanat\u00e7\u0131n\u0131n kayb\u0131 de\u011fil; ayn\u0131 zamanda diasporada kolektif sesi temsil eden bir haf\u0131zan\u0131n kesintiye u\u011framas\u0131 olarak de\u011ferlendirilmektedir. Ancak arkas\u0131nda b\u0131rakt\u0131\u011f\u0131 k\u00fclt\u00fcrel miras, \u015fark\u0131lar\u0131nda yank\u0131lanan dizeler, kurdu\u011fu yap\u0131lar ve temsil etti\u011fi \u00e7ok katmanl\u0131 kimlikle ya\u015famaya devam etmektedir. Onun s\u00f6zlerinde ifadesini bulan \u00f6fke, h\u00fcz\u00fcn ve umut; bir halk\u0131n sesi, bir m\u00fccadelenin yank\u0131s\u0131 olarak varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrecektir.<\/p>\n
Xatar\u2019\u0131n hayat\u0131, sadece bir bireyin trajedisi ve ba\u015far\u0131s\u0131 de\u011fil; ayn\u0131 zamanda halk\u0131n\u0131n s\u00fcrg\u00fcnle, bask\u0131yla, ink\u00e2rla yo\u011frulmu\u015f tarihinin m\u00fczi\u011fe, s\u00f6ze ve g\u00f6r\u00fcnt\u00fcye d\u00f6n\u00fc\u015fm\u00fc\u015f h\u00e2lidir. Onu anlamak, K\u00fcrt \u00f6zg\u00fcrl\u00fck m\u00fccadelesinin sanatla bulu\u015ftu\u011fu bu \u00f6zg\u00fcn kesiti kavramakla m\u00fcmk\u00fcnd\u00fcr.<\/p>\n
Rahat uyu Xatar. Sen bir efsaneydin. Sen bizim sesimizdin.<\/p>\n
H\u00fcsamettin TURAN<\/p>\n","protected":false},"excerpt":{"rendered":"
Giwar Hajabi, sahne ad\u0131yla Xatar, yaln\u0131zca Almanya\u2019da y\u00fckselen bir rap sanat\u00e7\u0131s\u0131 de\u011fil; ayn\u0131 zamanda diasporada K\u00fcrt kimli\u011finin ta\u015f\u0131y\u0131c\u0131s\u0131 ve k\u00fclt\u00fcrel direni\u015fin \u00f6nemli bir temsilcisidir. Onun ya\u015fam \u00f6yk\u00fcs\u00fc, 20. y\u00fczy\u0131l\u0131n son \u00e7eyre\u011finde Ortado\u011fu\u2019da s\u00fcregelen devlet \u015fiddeti, etnik bast\u0131rma politikalar\u0131 ve g\u00f6\u00e7menli\u011fin \u00e7ok katmanl\u0131 travmalar\u0131yla \u015fekillenmi\u015ftir. Xatar\u2019\u0131n hayat\u0131n\u0131 anlamak, yaln\u0131zca bireysel bir sanat\u00e7\u0131n\u0131n y\u00fckseli\u015fini de\u011fil; ayn\u0131 zamanda […]<\/p>\n","protected":false},"author":2,"featured_media":1033747,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26],"tags":[31],"class_list":["post-1033838","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-forum","tag-onemli"],"blocksy_meta":[],"seo_head":"\n